2025 Tribeca Festival This week, film continues with screening, question -answer, industry panel discussion and public performance in New York City. But in this year’s festival, a program takes place in the virtual world.
For more than a decade, Tribeca has focused her attention beyond cinema and television to include a new path of storytelling through the use of virtual reality, agmented reality, and other newborn technologies, which produce some flaaming immersive displays. Even if the aspect of storytelling of programs was limited, artistic expressions could be powerful. This was especially true with previous demonstrations that covered the audience into large-scale places, in which computer-borne imagery or time-lapse photography kept the audience in the new world, which ranged from exploding galaxies to blood vessels.
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Umbrella hosted under the title “In our search,” Establishment of this year in Lower Manhattan combines 11 projects simultaneously under the rubric of effects on humanity – discovery of subjects ranging from artificial intelligence to climate change, war, school shooting and transfobia. Performance with the most intensive impacts are the strongest and embedded inside them with the most emotional stories.
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Within a simple, painted place equipped with minimal furniture, “Delicate home,” By Ondage Morveak and Victoria Lopukhina, using a mixed reality to re -create a house in Ukraine that comes under bombing. Wearing goggles, the audience passes by a comfortable, well-appointed living room, one dinner table and a cat, and sees for a peaceful vista outside the window-which is replaced by home bombing residues in a flash, which is replaced by house bombing residues, ravaged with Russian forces.
The feeling of violation is made so powerful in such a simple setting-and the belief is that such destruction is multiplied millions of times, which is heart touching. But the objects that survived – they represent flexibility for many people for a handful of people with individual meanings.
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“smell,” By Allen Quan, a first-person is a cinematic game in which the player becomes a landscape wandering dog, attacking people and killed by maleist forces. Between the bombs and bullets, the dog helps guide the souls of those killed to take rebirth. This is a focused approach to cruel violations that affect humanity and nature.
Audience of armed, enhanced reality with a tablet “Nikki goes there” Can deviate into a garden with virtual flowers, and reciting a scene of the heavenly poet Nikki Giavani, “Kali -eyed peas (we are going to Mars).” By Idris Brooter, Mitchell Stephenson and Joe Bruster.
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How dangerous is Artificial Intelligence? How dumb is it? How to nap? “Aer & Me: The Confasseline and AI Ego,” Directed by Deniella Nedovsku and Octavian Motes, provides the audience an opportunity to become a test topic, as the AI’s decision was for the line. When sitting on a chair, the participant is captured on camera and analyzed by AI, which combines your name, personality symptoms and goals. How close are they to reality? Prepare to take a nap. But if the AI program “likes” you? Your AI-converted image will turn into your panthian of the preferred carbon-based units (painted above, right).
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Other performances are immersive representations of culture-some self-borne, some created by AI.
Interactive “New Makam City,” By MIPSTERZ, allows you to become a DJ, manipulating identified drums in Muslim communities around the world to create a parlokic vibe.
“Innocence of uncontrolled” There is a video essay and AI project that studies the media coverage of large -scale shooting, estimated within a fake classroom. (Made by Ryat Yezbick and Milo Talwani through MIT Open Documentary Lab.)
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Was done by one of the strongest effects of any installation “Currently,” By Cameron Costopolos. Using Happy VR, the viewer is truly tied on a chair; Electrodes with VR glasses are attached to your fingers, weapons and torso. interesting, You think Then, the presentation begins, recalling the true story of a survivor of electolentry conversion therapy. (As a teenager, Caroline Mercer was “treated” with electric shock in an attempt to “treat” from becoming.) Since the images of female beauty shine before you come in front of you, electrical impulses beat in your body. This is not a virtual reality; Excessive discomfort is very real, forcing me through less than half of the presentation. The upshot: Evercen therapy works, as I will never allow the VR electrode to join my body again.
Tribeca Festival
161 Water Street beyond the range of exhibition space, two-part “The Power Loom and the Founders Pillars” ,
While the Tribeca Festival makes a reasonable conclusion on 15 June, “In Search of As”, Onas ONX and Egog: The Emperor was presented in partnership with the Institute. 29 JuneFor more information and ticket information Click here,
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